production heat · squeeze

See the overload before you take the job

Every booking pours its editing hours into your calendar, so red weeks show up in advance. No competitor shows you the workload behind the dates — only the dates themselves.

Editing hours on the calendarRed = overload weeksNothing else does this
Editing hours per weekwk 26 · overload
W22
12h
W23
18h
W24
24h
W25
30h
W26
!
W27
42h
red weeks show the overload before you take the job
book & run · the squeeze
production heat (Squeeze)

See the overload before you take the job

Every booking pours its editing hours into your days, so the calendar shows how hot each week actually is. You spot the week that’s about to break you before you say yes to another job.

  • Each booking adds its real editing hours to the week
  • Weeks that tip into overload go red before you accept more work
  • No competitor shows you the editing load, not just the diary
hover the heatmap to feel the pressure
Editing load · next 8 weeks2 overloaded
w/b 1 Jun
w/b 8 Jun
w/b 15 Jun
w/b 22 Jun
w/b 29 Jun
w/b 6 Jul
w/b 13 Jul
w/b 20 Jul
finecrampedoverloaded
what you get

Workload, not just bookings

Week-by-week heat

Every booked job adds its editing hours to the week it lands in, so 'busy' becomes a number you can see.

Red weeks in advance

Overload builds up before you reach it — spot it at enquiry stage, not after the deposit is in.

Warned before you commit

A red week is where the smarter answer is 'hold out' or 'quote up', and heat makes that cost legible.

You keep the call

Heat informs; you decide. It never blocks a booking — it just shows what agreeing will cost.

the honest comparison

A calendar that knows what 'busy' costs

HoneyBook and Dubsado will tell you a Saturday is booked. Neither tells you that Saturday also owes you six hours of editing before Thursday — you find that out the hard way, mid-week.

How it stacks upHoneyBook / Dubsado — the usual waylemon.gallery
Shows the date is takenYesYes
Shows the editing hours behind itNoEvery booking adds its hours to the week
Warns you before you overbookYou find out laterThe week turns red before you say yes
Where it livesA separate booked-jobs listOn the calendar you already check
how it works

The workload behind the dates, surfaced

Bookings feed the map

Each project carries its estimated edit hours, which pour into the week the work actually happens.

Weeks change colour

Mild weeks stay green; heavy weeks warm up; weeks past your capacity turn red before they're booked.

See it at enquiry time

When a new enquiry lands, the week's current heat sits right there to inform your answer.

Book accordingly

Quote up for a red week, hold a date, or bring in an editor — heat makes the trade-off deliberate.

made for the way you work

Where heat changes the decision

wedding

Wedding season peaks

Three Saturdays in a row each with two days of editing behind them — the map shows the real cost before you sign.

mini-sessions

Mini-session bursts

A mini-day is quick to shoot and fast to edit — heat shows exactly how many you can stack in one week.

commercial

Commercial turnarounds

Same-week deliveries need headroom. A red week is the honest 'no' that keeps the client happy long-term.

team

Hiring an editor

The exact overtime hours heat reveals are the numbers you use to justify bringing help on board.

honest numbers

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no spin

Questions, answered honestly

Just what the product actually does today.

What is production heat?

A calendar view of how hot each week actually is for you. Every booking pours its editing hours into your days, so you can see an overload week before you take another job into it.

Why does no one else have this?

Most CRMs show you what's booked, not how much work a booking means. Heat shows the editing workload behind the dates, which is the thing that actually breaks you.

Does it change what I can book?

It warns you before you commit — red weeks are where you should hold out for more, or quote up. You keep the final say; heat just makes the cost of saying yes visible.